#thanks sailor!

[if-loki-was-a-fox]

*looks at you with my autistic eyes* cAllium duo?

I was initially just gonna watch this scene to remind myself what these two are like, but then I remembered that it was really funny so I just drew it :)

[tio-trile]

@scorpling: *galaxy brains* someone should draw the TLT necromancers as their corresponding Sailor Guardians

Me: Oh that sounds like a great idea. Too bad I've actually never watched Sailor Moon tho

Me:

Me: Palamedes in a miniskirt tho.

[poorly-drawn-mdzs]

‘Poseidon left a party in Ethiopia because the sea vibes went rancid after Odysseus set sail’ feels like a bit I would make up, but no. That actually happened.

[tubbytarchia]

Shark toothed mermaid didn't know how to kiss her sailor crush

[mahoutoons]

honestly i wish the only way for magical girls to get respect wasn't for them to be as close to shonen as possible.

"unlike other magical girls, precure has hand to hand combat! its dbz for girls!"

"i know princess tutu's name is stupid but its actually not girly at all!"

"sailor moon isn't ACTUALLY for little girls because [insert scene of characters suffering or creepy stuff from the manga here]"

"madoka is better than other magical girls because its DARK"

like do magical girls really needs to be dbz but girly to be worthy of respect? can't they just be... magical girl shows? a show can be unapologetically girly and aimed at girls and still be worth checking out. yes, princess tutu is girly. yes, sailor moon is girly. yes, precure is girly. yes, madoka, despite being a seinen and darker, ultimately upholds the messages of the genre. and they're all awesome and deserve respect on their own merits, not as a comparison to popular shonen shows.

[thebaratie]

I was just mindlessly scrolling, but I followed you purely because that one Luffy post had so much chaotic good energy that I had to follow you for more content of the silly little guy.

TYSM! here's a little captain for your passage!

[captin-azoth]

X-Babies!

I am absolutely LOVING X-Men 97 right now, currently rewatching the 92 series and AAAA

[pinktie]

I don't know how true this is, but if it is, then Kaito has about 0,1% responsibility for popularizing the magical girl genre.

Salute to him, everyone, for he is a legend.

[feelin-peachii]

@charalol Hold on. This is actually inspired (context here)

Here’re some family guy death pose siffrins. For all your family guy death pose siffrin needs

[volleypearlfan]

I'm noticing that [adult swim] is getting more female-oriented nowadays. yolo, birdgirl, them rescuing tuca and bertie, unicorn warriors eternal having a female lead and romantic subplot, my adventures with superman pretty much being a shojo, sailor moon airing on the toonami rewind block, invincible fight girl, women wearing shoulder pads.

considering that Mike Lazzo infamously said that women aren't funny and refused to hire them, I see this an absolute win. he must be sooooo angry right now lol

[if-loki-was-a-fox]

doodles???? perhaps a cAllium..... kissing maybe....

It's more cRanboo giving cTommy kissies, but y'know, it's them!

[deefighter2739]

Happy Waddle Wednesday! 🧡

Today I did the ultimate version of something I did a while back.

Everyone is here!

[astrosoldweb]

Anime conventions in the 2000s (and early 2010s at a push)

Photos found on Flickr, photo bucket and Pinterest

[i-dreamofsleep]

RIRI CHAN LASER BEAAAAAAAAAAAAAAM

[thebaratie]

BANG x2!

[tumblingxelian]

Near Uniquely RWBY - Main Characters

I was chatting with my sibling the other day and we were joking about the fact in 90% of the media I consume I generally don't like the main characters.

Not in the sense I necessarily hate them, but I generally don't find them to be the most interesting, engaging or enjoyable person on screen or page. Instead I tend to gravitate towards secondary or minor characters and even minor antagonists before any of the big names.

Some of this is rooted in my often rooting for what tends to feel more like a real underdog or characters that feel like they got dealt a bad hand by the author unfairly. But its also that in a lot of media the main characters tend to immediately, slowly or quickly go into personality lockdown.

Becoming less a personality and more the embodiment of expected tropes and themes, or they lose their unique edge or circumstances because the plot demands one benefits or personality changes be heaped on them to keep the tone and story going.

Some examples of this would include say:

Ichigo from Bleach, with him and his supporting cast being very unique and super interesting during the initial arc. But as Soul Society came in, he became a much more standard Shounen determinator a the expense of his personality and his supporting casts were largely watered down & left behind.

Or how in Naruto or Dragon Ball the whole underdog/hard worker aspect of the characters felt undercut by legacy power ups and an endless wellspring of natural talent, alien biology, ETC.

I know these are just two examples, but they cover the general gist of what I mean.

So, what makes RWBY different?

Well, off the cuff, is simply that the four main characters are women.

I've often felt simply putting anyone other than a cis-het guy into the main character slot of say, a battle Shounen, or Isekai stands a good chance of making it more interesting by default. Even if the author does nothing with it the audience reaction would be different because the MC would be an exception to the norms.

In that vein, while one can call RWBY some sort of Shounen or adventure fantasy or magical girl show the main four are unique in how they manifest on screen at the very start. From how they participate in action, to how said action is structured and framed and the kind of adventures and topics they tackle.

But being unique alone is not enough, that would simply make it more interesting than the bog standard but what elevates RWBY is the execution and exploration of such elements and its characters.

Going into every aspect would be difficult, but in light of what I said above would be how each of the main four are initially presented as familiar archetypes, only to subvert or deconstruct them.

Ruby is a peppy goth who just wants to be normal but has inborn powers from her mysteriously vanished mother and serves as a beacon of optimism to others.

Except Ruby's version of normal still involved fighting death monsters with a sniper rifle scythe and she is actually one of the more ruthless characters. Her peppy persona obscures that she can have a pretty vicious temper when pushed and has displayed strong bloodknight tendencies.

Her unrelenting optimism and desire to fix the world is a complex mix of true beliefs, coping mechanism for trauma and her grappling with positions forced on her against her will. Her inborn power is potentially useful but also not that much of a game breaker outside specific contexts & said power sure as hell didn't save her mom.

Weiss Schnee is the Tsundere heiress of a powerful family, with a haughty attitude that hides her loneliness.

Except the "Tsundere" is more of a defense mechanism born of coming from an abusive home where every member of her family manifested a different trauma response. Freeze (Mother), flight (Sister), Fight (Weiss) Fawn (Brother).

Despite her upbringing & some projected trauma, she's far from ignorant as to the worst excesses of her nation early on, and her journey was more about overcoming the impacts her abuser had on her and finding a family in her team that let her be safe enough to let down her walls. Also despite being "The ice queen" she's actually one of the characters least inclined towards more ruthless actions and is extremely empathic.

Blake Belladonna is a mysterious and silent rougish woman, something of a shrinking violet even, but she carries with her a wounded heart thanks to her old flame, the edgy Adam Taurus.

Or more accurately, Blake is the daughter of activists and politicians who represent the worlds main discriminated against minority. She spent her youth on the road as a protestor and where even her father could be nearly killed by a lynch mob. She was targeted & groomed by a man who claimed to want to fight the same injustice she did but who was only interested in using the movement to grow his own power.

Her initial aloof-ness was a trauma response to having spent years under his thumb and overcoming him and the idea she had to 'save' him was one of the main corner stone so her character. Also, despite the "Revolutionary fighter" backstory she like Weiss is much less inclined towards ruthlessness than her team in large part because her past experience with it.

Yang Xiao Long, introduced as the fun loving big sister of Ruby & boisterous bruiser of the team who loves to party & flirt.

Except no, Yang was parentified as a child and forced to raise her own sister as their family unit fell apart. Her "Party girl" persona was outright framed as judging a book by its cover in her own trailer and something she put on or took off as she needed.

She became disabled over the course of the series run as well as entered a Sapphic romance with her partner Blake. Unlike the stereotype of characters with her design, Yang is actually an excellent student, fighter and engineer/mechanic. Plus much like her sister she tends to be of the more ruthless and pragmatic persuasion despite being from the "Normal" background.

Character Conclusion

So, all the characters break out of their initial archetypes, which already makes them more interesting. What's more, these sorts of characters just being oput together and made the main characters rather than circling a dude is in of itself unique.

But there are other aspects of the writing which endear me to how it handles the main characters and what keeps them interesting.

Anger & Violence

See, while in various media women do express anger at times it is still often far less so than men. What's more, often women's anger tends to be presented in... Less flattering lights.

With the anger obscuring fragility while in a man it conveys strength. Or implying a sort of hysteria rather than an appropriate or controlled response. Or worst of all being demonized in general unless its rooted in or coming from traditionally feminine places.

The same tends to be true when it comes to violence with a lot of media either trying to find some way to make women in battle less... Brutal than their male counterparts. (More more like fanservice) Along with rarely letting women fight men, unless they are a special exception to the norm.

RWBY does not do this.

The main characters, hell, all the women in the series express a multitude of different forms of anger and violence. They battle men, they battle each other, they battle monsters all with no distinction nor fanservice shot in sight.

What's more though is that said anger and violence are not presented as, for lack of better words, wrong. The writers don't draw overt attention to this fact, they don't hang a big sign up saying "Girls can fight & shout too" or the like.

They just present these women with a range of emotions, motives and actions that are treated according to what fits the theme of the show rather than hewing closer to gendered lines.

This isn't to say anger & violence are lionized, but more that the experience and usage of them is not demonized or undermined because of the characters gender.

I suppose what I am saying is that CRWBY by and large lack double standards when it comes to exploring these things that I see so often in other media. The women in the main cast, among the villains, both sides respective allies and beyond can be flawed, or angry or do both good and terrible things.

But the writers are always treating everyone's pain as equally valid regardless of gender or situation. Which means that the situations that cause anger exist within a tone of respect that forms the depiction and framing of anger itself.

Which is just something I really enjoy.

Thanks for reading!